Tuesday, December 31, 2013

Resolution for No Resolutions

How many times have we all made promises to ourselves that we weren't able to keep?  Even just on a daily basis.  We promise ourselves that "tomorrow, I'll clean the kitchen" or "I will do the laundry!", or in my case, "I will work on my paper due in x number of days!"  Sometimes we follow through, but most times, we fail.  So why would resolutions for the new year be any different?  How is the start of a new year different from the start of a new week, or a new day?  This doesn't mean that the new year can't be significant in its own way, but it's also more of a question of how it will be significant.  It's not about resolution(s), it's about intention(s).

Two years ago today, I decided to give my room a good cleaning.  My way of starting out the new year fresh.  I opened the windows, changed the sheets on my bed, put things in their proper places (or at least in a drawer where they could be dealt with "later"), and did it all to the sound of old timey 1920s jazz coming from my clock radio (thank you, NPR!).  One of the very last spaces I tackled was my bookcase.

Besides my sacred collection of books that I hardly ever read, my bookcase also served as an altar of sorts.  No, I didn't make offerings or kneel before it, but the articles and objects held a special significance, or so I thought.  Candles of different sizes and scents, an incense burner, an oil diffuser, wooden carvings and small figurines, all found their way to the space somehow.  I held onto them for so long that I stopped contemplating the reasons for their existence.  

In my cleaning, I decided to remove everything to give the space a good dusting.  After I had scraped away as much caked up dust and candle wax as possible, I started to put things back in their place.  But then I hit a snag: I couldn't remember where it all went!  I decided to rearrange them instead, which wasn't a foreign concept in this case.  However, I found that even this was a daunting task.  There was so much stuff, and it was hard to figure out where it all should go.   So, I started from scratch.  I pulled everything off again, then chose the pieces that spoke the most to me, the ones that I was drawn to.  There was no logic involved, just feeling.  As I went through this process, I realized that what I wanted instead was more space, more room to see and interact with everything, not more things to interact with.  There was a feeling of lightness and openness in this act of letting go.  And from this feeling came the idea of what I wanted in the new year.

I had long given up on new years' resolutions.  I, like many, failed to complete what I had set out to do.  So, each year, it was "I resolve to make no resolutions."  (Ironically, the following day, 1-1-12, I resolved that I was going to buy and learn how to play the ukulele.  I managed to follow through with the first half of it at least.  But that's another story.)  But as I was reorganizing my altar, a new idea came through: what if, each year, I chose a theme or an intention rather than a resolution?  It wouldn't necessarily be something that I would have to keep in mind every day, but it would be something that informed how I looked at the life I was living.  In this particular instance, it came to me almost without thinking: Create space.  This notion of "creating space" was not unfamiliar to me, as it was often used in the yoga classes I attended at the time.  There was frequent talk of "creating space" within the body for the breath to move; "creating space" in the mind; "creating space" for emotions long buried to come through.  The theme fit perfectly, much like the objects that I chose to remain on my altar.

Throughout that year, I found the theme arising on its own, showing itself to me in various ways: letting go of relationships, letting go of a job that had not suited me for a long time, cleaning out my physical space, letting go of ideas of how my future would play out, and so on.  I created space for the good things to come through, for the surprises to come in (some in more pleasant ways than others).  It wasn't always easy, but it proved useful.  I was able to let go of the life, and the people, that I knew, and embark on a new adventure all the way across the country.  It allowed me to immerse myself in a new life: a graduate program, new friends, new experiences...

So, because this idea of a theme for the year worked so well the first time, I gave it another try this past year.  This time, it was similar to the first, but different in its own way.  I chose "Recreate".  But the result wasn't the same as the last time.  I didn't notice how the theme of re-creation came to play in my life.  I even forgot what the theme was for a while.  But, looking back, I can see some places where it did arise.  I re-created the vision of what relationships should look like.  I re-created the version of myself that I thought I knew.  I re-created my perceptions of others.  I did this all unconsciously, and that's fine with me.  Maybe that's what needed to happen.

Which brings us to this year.  I think, a lot of times, resolutions are about trying to achieve our highest self.  We need to stop smoking, stop drinking so much or altogether, enrich our minds, enrich our relationships, take care of our bodies, etc.  But instead of phrasing it in terms of "need" or "should", why not look at it from another perspective?  Why not see these goals, these attempts, as a way to express and experience love for ourselves?  I don't mean this in a solipsist sense, and I certainly don't encourage the self-indulgent mindset that seems to permeate our culture.  I mean real love.  Love that challenges, pushes, but is also compassionate and forgiving.  Love which understands limits, but is limitless in its abundance.  

It is with this in mind that I have decided on my theme for the new year: Self-love.  My intention is to examine my words, my actions, my ideas, and my relationships through this lens.  Instead of setting a weight loss goal, I'll ask myself if the choices I am making are showing love to my body.  Instead of setting the goal of a certain number of dates, or even becoming involved in a relationship, I will ask if the people I involve myself with show the care and respect for me that I deserve to show myself.  Instead of berating myself for not studying harder, I will ask if my procrastination served a purpose, or if my actions were in line with the larger goals I have for myself.  

Resolutions are about strict and formulaic goals, but themes are about perspectives and looking to the road ahead.  Intention isn't about what we do, but how we look at what we do.  Intentions and themes inform our lives, and can subsequently enrich them.  In the end there isn't the same sense of accomplishment that may come from a resolution, but instead a sense of deeper knowledge of the self.  It is more subtle in its expression, but also more deeply felt. 

We shall see how the theme for this year plays out.  I may even post an update or two.  Until then, happy new year.         
        

Friday, October 25, 2013

Still

Your story
Our story
Came up
As a surprise conversation.
I revisited dusty corners
That I had thought were clean;
Opened boxes of
Faded pictures of memory that still
Held some color of recognition,
That still
Let me know
That still
This loss has been left ungrieved.
I have held you
Locked safe
In a deep well
Of still water,
Drawing you up from time to time,
But without all the pain.
Without the still sinking feeling of regret.
But it waited for me,
Still,
Like some stalking predator,
Lying still
In the grass, waiting
For some movement,
Some sign
That now is ripe,
Now is time
For the stillness
To be broken.
My lips formed the words
In fits and starts,
And my breath, slow and steady,
Pushed them away,
Even though I knew that still
The wound that still stung
Like it had been born yesterday
Bled from beneath that still
Surface.
Still pools formed in my eyes,
And the rivers flowed
Like tears.
The you that was still
In me
Became real again,
Even though I knew
It was still a lie
To believe that what once was dead
Could still live.
I still have a shred of your ghost,
Which I fear will meet the real you someday.
And all will be lost.
All which was hidden will be revealed,
All which was closed will open,
All that has lived, that has survived,
Will die.
It will hit me with the cold
Weight of time,
And I will stand still
Waiting for it all to begin
Its end.
And yet,
I still know that even as
I fear it,
I still wait for that day.
Still not knowing why.
Still knowing that when your face meets mine
You will see that I am
Still...
Yes.



Monday, August 12, 2013

Through the Eyes of Others

When I was about five or six, I asked my dad when the world changed from black and white to color.  Without a blink, he replied, "Twenty minutes into 'The Wizard of Oz'."  This has since become a favorite family story, but I remember the reason I had asked.  Looking through old family photos, quite a few of them were only in black and white.  So, to my child brain, it made sense that what the camera captured was how things actually were (i.e. the world had no color), and that things had eventually changed after a certain period of time.  Even now, when looking at old photographs or film, it is difficult for me to remember that the world was not in black and white even then.  Still, somehow the lack of color makes everything seem so much more interesting.  I find myself drawn in to this world of lives long gone, but still captured in this delightful, and sometimes haunting, medium.

Recently, while walking through my West Philly neighborhood, I came across a vintage sale.  Not a garage sale, but a "vintage" sale, meaning that these items were of actual value as opposed to what you might come across at an average garage or yard sale.  Or at least, that's what it was supposed to seem like.  Among the treasures were an "Adam and Eve" jigsaw puzzle, complete with nude male and female figures on either side; a holographic picture of Jesus; a large set of small field glasses ($5 each); c.d.s from obscure bands; and two shallow boxes full of mostly black and white photographs.  It was the latter which interested me, and I spent a good thirty minutes looking through them.  I came out with 46 photographs.  46 mainly black and white photographs ranging from portraits, family photos, landscapes, architecture, and postcards.  All for the reasonable price of $12.

The dates of these photos ranged from the late 1800s to the early/mid 1960s.  And for one reason or another, they left me feeling...enchanted.  But even that I don't feel is the right word.  Not quite.  If there was a word for feeling a longing to know someone else's story, to know their name, to know what they cared about, whom they loved, what they were like...that was the feeling I had when looking at these photos.  The same could similarly be said for the landscape photos: where was this taken?  Does it still look even remotely like this, or has it all been taken over by concrete and shopping malls?  Who lived in that house?  Was this taken on vacation somewhere?  On and on.  The longing to be where the photographer stood, to know what they knew, to know their subjects.  This inexplicable and insatiable curiosity is what led me to carry these 46 photographs home.

I arranged them on my glass topped coffee table.  Below is a partial view.



I could not stop peering into their faces, wondering who they were.  For some of them even, wondering if they were still alive, or had living relatives who would be interested in obtaining their photographs.  (The people who sold them to me originally said they had gotten them from estate and yard sales.  It's possible they were left behind, forgotten in a box somewhere, only to be turned out to anyone willing to pick them up.)

As I looked through them, I was surprised to find that a few turned out to be little pieces of a puzzle long forgotten.  A postcard dated in 1910 showed two houses, one with an "x" in front.  The writing on the back indicated to the reader that it had been the house that she (the addressee) and the addressee's mother had been born in.  Another postcard, with no date and no message, showed a family of seven standing in front of a house decked out in American flag regalia.  Upon closer examination, it turned out to be the house marked in the first card.  And finally, a postcard featuring the stern face of a young woman contained a rather stream of consciousness message to her brother.  The addressee had the same last name as the one on the first card. Three postcards, all connected but still giving no full picture of the lives once lived.  The rest, like some pieces of history, is pure speculation.  Still, they are pieces, however small, however fragile, of something that was once whole, of something that once mattered, however brief.







The first postcard.  The message reads: "The house marked with a cross is where you and your momma were born.  Love on your sixth month birthday.  Lovingly, Grandma and Grandpa"





Sister's stream of consciousness message to her brother: "Dear Brother, You are to guess who sends this as I will not sign any name a man took it when I was here last summer I did not know it at the time he is cook walk [illegible] here and gave it me today I am a little [illegible] but can't help that now."




I wish I had something more profound to share, more mysteries to unlock.  But for now, all I have are small pieces that I don't know what to do with.  With the exception of a photograph or two with an actual name attached to them, it appears that the owners of these photos will remain forever unknown.  Maybe the more damaged photos can be digitally restored, but other than that, they're in danger of being forgotten in a box somewhere.  For now, I can only share some of what I have found, hoping that you, the reader, will find a similar fascination for the lives of others.



                                                 
                                                               A beauty from 1924.
                                           

                         
         My favorite out of all of them, and the most beautiful woman I have ever seen.  
This one carried no date, but was probably taken in 
the 1930s/1940s, though possibly earlier.  


   I at first thought this was a bride (because of the veil), 
but then remembered that bridesmaids wore veils, too, in the 50s and early 60s.




This little girl with her sweet smile was one of my favorites.  Her expression is innocent and playful, and I couldn't help but be drawn to her.  (And look at that curly brown hair!)





 Unknown gentleman, but may be related to 
the Badgley family (of the postcard pieces).



Two brothers, taken in Jerusalem in April 1954.  Inscription on the back reads: 
"Uriel Kitrow 3 3/4 years; David Kitrow 8 1/2 months"



                                          Looks like there was more than one Mayflower...                                      



  Who doesn't love a picture with nuns in it?



I was drawn to this one because of the girl in the middle.  
You can't see it too well, but her eyes are cast down, like she's deep in thought.  
Or it could have just been sunny that day.



I couldn't help but love the expression on her face, not to mention her pose.  
Girl was a diva and she knew it!



Old cars and snow.  Most likely in the middle half of the second 
decade, 20th century.



Cute dancing couple.



Beautiful grandma.



1920s friends.



1950s couple.  (Prom?)  Just look at the skirt on that dress!



Inscription on back reads: Jan 11, 1958: Taren Bakkey & Herbey Makas 
at my aunt [sic] house in Long Branch